Tag Archives: Gil Scott-Heron

C.O.A.C.M presents…5 Questions with: CB010

1. what’s your name, where are you from & how did you get involved with music?

my name is CB010 hailing from South American Surinamese roots and experiencing life lessons in the city of Rotterdam, Netherlands.
at the early age of 4-5 years i got injected with the music serum via my parents record collection. they played their records mostly on weekends and moulded my knowledge of the usual suspects: Stevie, Curtis, James, EW&F, Diana, Micheal, P-Funk and all sorts of soul. Pops introduced me to a lot of Led Zeppelin, Iron Maiden, Zappa, Ozzy and Bob Marley.
when i was about 8 years old i took a first glance at my uncle’s homestudio. finally i was old enough to enter his room. the first thing i saw was a beat machine, i believe it was a Boss DR-55. pushed my wig back!
from that day on i was in search of all the kicks, snares and hats i could find and knew i wanted drum lessons.

2. how did your particular track in the mix come about/is there a story behind its creation?

i’m just going to dissect the beat and name the original samples.
the bassline is from Ronnie Foster‘s “Mystic Brew“. i dont know what it is about minor key chords/notes but i just know that i love ’em.
Tribe already sampled RF so i wanted to make it different from theirs. so the notes are chopped and replayed in a 1/8th pattern.
the drums are stock sounds i believe. I tried to EQ them but sh*t this beat was made in 2008 i think and really, i didn’t give much about EQ-ing mainly because i just didn’t know what i was doing. the programming of the kicks also point out the fact that i was still trying to figure out how to lay out my drums.
the kicks are all over the place!
flute and guitarish sample are from Gil Scott-Heron/Brian Jackson‘s “Winter In America” record. i sort of tried to emulate Pete‘s usage of horns with the guitar sample hence the delay lol.
vocals *uh* and *yeah* are from a friend of mine. instead of sampling James‘ grunts i wanted to do it myself. he recorded it in his phone, i made a copy of it in .wav and got it poppin’.

3. who or what inspires you to create? and how do you STAY inspired?

my brother from another, beatmaker/MC BlackMagick.
when i was figuring out sampling, he already made a beattape with Nas‘ vocals.
always one to share he introduced me into proper EQ-ing, compression and mixing your own music.
since we made the decision to go record digging we got the idea to do a beattape together wich is currently in the making.
i stay inspired by different beatmakers all over the world who uphold the legacy of sampling raw drums and samples. next to the ususal suspects Dil, Lib, Kev, 9th and many more, there are some DOPE beatmakers on OKP and i’m naming names!:
e-classic, MISTA MONOTONE, A Love Supreme, jp, Admbmb, philpot, DVS and much more keep me inspired to not make any wack sh*t.

4. your opinion on copyright and the sharing of music? (specifically tunes made by unsigned, under-the-radar and bedroom artists that are then shared by fans?).

to each his own.
you wanna download all your stuff go ahead and do it. i love artwork though and reading about the process of making the album (liner notes).
personally i love music and the effect of discovering new artists. every once in a while i stumble upon some new music from independent artists. if i dig it i know my folks will also dig it so i share. now if someone releases music on iTunes or Bandcamp for a buck/euro or 2 i will support it for the development of the artform.

5. the best place to listen/download/buy your tunes? and any final words you’d like to say to the Internets?

well besides Soundcloud, OKP Boards and Bandcamp i would say support your local record store! shouts to my love, the fam, Okayplayer and the world!
one love!


peep “Raise The Bar” on CONFESSIONS OF A CURLY MIND Vol. 1 along with 23 other golden tracks you probly ain’t heard before.


Vahé – The Melancholy Metro (2004)

following on with the Gil Scott-Heron vibe, i previously used “Song For Bobby Smith (Alternate Take)” in a 2004 compilation called “The Melancholy Metro”, a very downer and demure mix i made whilst in the throes of massive heartache. i present the mix for y’all today in memory of the man and his passing. and also in memory of Eternal Sunshine Of The Spotless Mind, a film which served as the impetus and continuing inspiration for making this mix in the first place (a couple of Jon Brion‘s songs from the soundtrack/score appear in the mix). stream/download it as one single file via the newly minted Confessions Of A Curly Mind SoundCloud page.


01. jon brion – down the drain
02. gary jules – mad world
03. sandboy – pomegranate (feat. nanar vorperian)
04. antonio carlos jobim – once i loved (feat. shirly horn)
05. beady belle – april fool
06. miles davis – take it or leave it
07. beck – everybody’s gotta learn sometime
08. red hot chili peppers – porcelain
09. tricky – hell is around the corner
10. portishead – only you
11. cinematic orchestra – burnout
12. gil scott-heron & brian jackson – song for bobby smith (alternate take)
13. jeff buckley – the other woman
14. massive attack – sly
15. sleepy’s theme – 4:30am


Gil Scott-Heron & Brian Jackson – Song For Bobby Smith (Alternate Take) (1973/74)

instead of doing an over-inflated tribute post to a fallen idol (not my style), i’d rather highlight my favourite Gil Scott-Heron song, a collaboration with Brian Jackson from the album “Winter In America”. this is the ‘Alternate Take’ version of “Song For Bobby Smith”, one which i became besotted with many years ago and used in a couple of key ways (which i will highlight with my next two posts).