Tag Archives: #REALHIPHOP

THE #REALHIPHOP FILES // featuring DVS JACKSON Esq.

today we have a nice chat with one of MY personal favourite emcees that i’ve not only encountered in the last decade, but also had the pleasure of working WITH in some capacity. and that’s signor DVS Jackson Esq. this man’s wordplay has long impressed the fuck out of me, and to have him included on Pete‘s #REALHIPHOP LP is something i was kinda hoping for (actually i wanted a whole project to materialise b/w the two, but this is a damn good start).

DVSVEE: before we get into it, could you kindly introduce (or re-introduce) yourself to the folks at home? how’d you get into this music thing and what continues to drive you to pursue it?

DVS: Hello, world. My name is The Most Honorable Right and Exact DVS Jackson, Esq. DVS for short. I started out as a public speaker when I was still in Kindergarten. As I got older, that morphed into singing, then poetry and, finally, Hip Hop. I’ve been an MC for the better part of 15 years, and loving every minute of it. My motivational factors are a genuine love for the culture, a feeling that I have something to say…and the knowledge that after all of these years of dedication I’m still skilled at my craft.

VEE: how did your contribution to #REALHIPHOP come about & had you worked with Pete before?

DVS: My contribution came from Pete asking. Pete and I have known one another for almost a decade. We have dabbled here and there creatively, but there has never been a project tied to us. A vocal guest spot here, a remix there, but never anything concrete. So, when Pete mentioned he had a project in the works and wanted me to contribute, it was just a natural progression.

VEE: what is your writing process like & how involved do you get with the producer when coming up with topics or themes?

DVS: My writing process varies. I tend to write very quickly when inspired or when I have an idea of the intended direction. As such, my contributions to #REALHIPHOP didn’t take very long. Pete has always had a very good handle on what he is trying to accomplish. He also allows space for the artist to express themselves. It was really quite painless.

VEE: this may seem like an overdone question to ask, but considering the album’s bold title, what is your own personal definition or interpretation of “real hip hop”?

DVS: That’s a tricky question. I don’t think there is a real definition of what you consider “real”. Reality is relative. For instance, if you ask me who I listen to in the whip…I’m going to say Roc Marciano, Action Bronson, classics like De La and Tribe…and that’s my version of reality. Now my son, he is a huge fan of Flatbush Zombies. That’s his reality and I honor that. And since I honor his opinion, as well as my own and others who may not have as much “love” for the culture in the traditional sense…I tend not to trash Hip Hop I don’t personally understand or appreciate. I just don’t listen.

VEE: what’s the last piece of hip hop music you heard that flipped your wig?

DVS: Chance The Rapper‘s “Acid Rap Mixtape” completely threw me for a loop. Here was someone representative of my eldest child’s generation who obviously had some sense of MY oldhead sensibilities. In addition, he made a very CHICAGO album. There are so many inside references that hit especially hard for someone born and raised in the Go. From wordplay to his homage to Chicago’s “Juke” movement to a playful irreverance i feel the artform is missing….I totally honor and respect that young brother’s contributions to the game.

VEE: last but not least, where can people go to check out your music or to get at you for shows or features?

DVS: Well, my latest LP “DVS 4 Alderman” was released on Windimoto Records and is available at most online retailers, with an expanded edition available directly at http://windimoto.bandcamp.com/album/dvs-4-alderman-bandcamp-exclusive-expanded-edition.

I also have 4 EP’s that I’ve released for the unbelievable price of Free.99 available at http://waldorfandstatler.bandcamp.com with my partner in crime/brother from another mother tREBLEFREE. tREB is currently screaming at me to get my vocals in for the next EP…so stay tuned as more Waldorf And Statler is on the way. Thank you sincerely for you interest…and tell Pete Marriott to hurry up and release this album so I can get my cheque. Dreams don’t run off promises, goddamnit.

V.

THE #REALHIPHOP FILES // featuring JAZZ

we continue on with our dedicated coverage of all things #REALHIPHOP featuring a short interview with Jazz, who contributed to a couple of the joints on Pete‘s LP. he breaks down his musical history, production/songwriting process and his thoughts on hip hop.

JAZZ (aka Mista Jazzluvah)VEE: before we get into it, could you kindly introduce (or re-introduce) yourself to the folks at home? how’d you get into this music thing and what continues to drive you to pursue it?

JAZZ: First and foremost I am Mista Jazzluvah, formally of the Hip Hop/R&B group WHISTLE. We had such hits as “(Nothing Serious) Just Buggin‘”, “Right Next To Me“, “Always And Forever“, “Barbara’s Bedroom” and “Chance For Our Love“. I have wanted to do music ever since the 4th grade. I got my start in 1985 by way of Kangol Kid and Hitman Howie Tee.

VEE: how did your contribution to #REALHIPHOP come about & had you worked with Pete before?

JAZZ: Well Pete and I go way back to the days before WHISTLE. We both lived in Flatbush, Brooklyn and rocked out in the same musical circles. He and I reconnected about two yrs ago and talked about me coming back and doing my style of R&B. From there he did a track for me and sent me some songs he wanted me to drop hooks on. I wrote the hooks to two joints (“Nice” and “Lookout“) and the rest is history.

VEE: what is your writing process like & how involved do you get with the producer when coming up with topics or themes?

JAZZ: Well I write what I feel. I am a songwriter/producer myself so I just get the vibe or hear the track and give my viewpoint of what I hear. There are too many so called producers who aren’t that at all. I am a throwback to the days of Quincy Jones, Jimmy Jam and Terry Lewis, LA and Babyface, Gamble and Huff, Teddy Riley the list goes on. My Job is to make a song better. It doesn’t matter if I wrote it or not.

VEE: this may seem like an overdone question to ask, but considering the album’s bold title, what is your own personal definition or interpretation of “real hip hop”?

JAZZ: Real Hip Hop is hip hop from the soul. The kind of hip hop that takes you to a time and place that you cant forget. No matter what time frame or style.

VEE: what’s the last piece of hip hop music you heard that flipped your wig?

JAZZ: I am feeling anything that has a flow and substance with good lyrics. I will always love hip hop even when I don’t like certain rappers or songs. I came from the essence of the block party and tape days. I feel like I am a singing Emcee. I flow on R&B.

V.

THE #REALHIPHOP FILES // featuring LaVeda DAVIS

as part of this BLAUG’s ongoing coverage of all things #REALHIPHOP, we got individual interviews lined up with most of the artists and contributors to Pete’s project. we’re kicking it off with the lovely LaVeda Davis. she breaks down her art, her process and how she came to be on the LP.

LaVeda DavisVEE: before we get into it, could you kindly introduce (or re-introduce) yourself to the folks at home? how’d you get into this music thing and what continues to drive you to pursue it?

LAVEDA: Greetings. My name is LaVeda Davis. I’m a singer/songwriter originally from Miami, FL, and I have been singing as long as I can remember. My father played music all the time when I was growing up. I heard Luciano Pavoratti, Leontyne Price, Sarah Vaughn, Johnny Hartman, Otis Redding, War, Brooke Benton, Marvin Gaye, John Coltrane, Stevie Wonder, SalSoul Orchestra, Barry White, Issac Hayes, Santana, Ohio Players, Barbara Streisand, Dionne Warwick, Motown, Nancy Wilson, Shirley Bassey and many others.  I knew early on, that I wanted to sing.
I stay driven and inspired because I love music, and want to leave behind a catalog of great songs.

VEE: how did your contribution to #REALHIPHOP come about & had you worked with Pete before?

LAVEDA: Pete reached out to me and talked a bit about his upcoming project (#REALHIPHOP) and said he had a track in mind he wanted me to hear, and wondered if I would be interested in writing the hook and a few ad-libs if inspired. I fell in love as soon as I heard JunClassic. The track is dope, and I was humming to it immediately!!
This is the second time working with Pete. He remixed a single of mine (“Second Skin”), that will be released in the near future.

VEE: what is your writing process like & how involved do you get with the producer when coming up with topics or themes?

LAVEDA: Pete has been the only producer that had a theme in mind. Other than that, I am given free reign once I receive tracks. Generally, I listen several times, and let the music dictate what the story will be about. There have been rare occasions that a title will come first; and I will begin there. But usually, I will be lead by the mood of the track.

VEE: this may seem like an overdone question to ask, but considering the album’s bold title, what is your own personal definition or interpretation of “real hip hop”?

LAVEDA: For me, “real hip hop” is the raw, honest and imperfect soundtrack to our lives. You want to wear the message like a piece of armor.

VEE: what’s the last piece of hip hop music you heard that flipped your wig?

LAVEDA: Anything by JDilla, flips my wig. I haven’t a clue to what is going on right now. What I have heard, doesn’t make me want to hear it again. So when I need my fix; I go old school (Tribe/Pharcyde/Slick Rick/Poor Righteous Teachers/De La Soul/Raheim/EPMD/KRS-1).

VEE: last but not least, where can people go to check out your music or to get at you for shows or features?

LAVEDA: Thanks so much for the invite. Was a pleasure chatting with you.

For Booking and features:
bookinglaveda@gmail.com
Manager – Stevie Robinson.

My new single was just released on HSR Records (#42 on Soulful House/Traxsource):
I SECOND GUESS MYSELF

SPEECHLESS (The Remixes)

LET LOVE HAPPEN (EP)
FACEBOOK
SOUNDCLOUD
TWITTER #1
TWITTER #2.

V.