Monthly Archives: May 2012
31/05/12 C.O.A.C.M presents…5 Questions with: MAXPTAH
1. what’s your name, where are you from & how did you get involved with music?
MaxPtah, from Memphis, Tn. got involved just from being a fan and lover of music first. i was more into sports and my brother was the musician of the family playing the sousaphone at Grambling State and later on in the Navy. one of my cousins gave me his DR-5 to hold for a minute while he was in school and i just learned it (no instruction manual at all, lol) and that’s where it all started.
2. how did your particular track in the mix come about/is there a story behind its creation?
the emcee i did this project with, Infinito 2017, sent me some accapellas of his from a few albums he’s done already and i just remixed a few to put together this particular project. this track in particular though was already made and it just so happened that the tempo was the same. i decided to slap it on there cause Infinito is that dude and i knew it would get out there to the masses. this is probably my favorite track of any i’ve ever made.
3. who or what inspires you to create? and how do you STAY inspired?
the love of music in general for one, and some of my fellow producers in the city that i work with keep me inspired: Fathom 9, EMPEE, DJ Homework and IMAKEMADBEATS just to name a few. staying inspired is hard because life gets in the way often. i get to points i don’t want to do anything cause something else has my attention and that’s something i’ve got to get out of. music is my safehaven though. so regardless if i’m distracted somehow i’m at least listening to a lot of music and that serves as the means of staying inspired also.
4. your opinion on copyright and the sharing of music? (specifically tunes made by unsigned, under-the-radar and bedroom artists that are then shared by fans?).
i love it! i don’t like being force fed anything and i feel like that is what the mainstream is doing right now. i like hearing what these guys (and gals) have cooking up. it feels rawer and truer than what’s on the mainstream level. not to say there aren’t any artists in the mainstream that don’t have that feel, it’s just that at least with the “unsigned, under-the-radar, bedroom artists” you know for sure that they aren’t held back by anything. period.
5. the best place to listen/download/buy your tunes? and any final words you’d like to say to the Internets?
go here for everything MaxPtah. and also thanks to you for putting this compilation together and including that song in it. thanks to everyone for their support. we genuinely love every single ounce of support that comes our way, even the criticism, because that would imply that you took the time to listen to our art. also i got an album coming out in August called “Live From Everywhere” so be on the lookout for that too. Peace!
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Max‘s track “El In Tune With Nature” (featuring Infinito 2017) appears on CONFESSIONS OF A CURLY MIND Vol. 1: .zip/.rar/Soundcloud.
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Tags: CONFESSIONS OF A CURLY MIND Vol. 1, DJ Homework, El In Tune With Nature, EMPEE, Fathom 9, IMAKEMADBEATS, Infinito 2017, MaxPtah
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- Posted under mpfree lanks, muzak, writings
30/05/12 COM TRUISE // KOMPUTER CAST Vol. 1 – 5 (+ “Ghostly Edition”)
being an advocate of any and everything the 80s had to offer stylistically, musically & overall aesthetically, i have of late MASSIVELY gotten into a series of podcasts/mixes by Com Truise (boss name, btw) called KOMPUTER CAST. they’re generally a nice even mix of 80s synthfunk, r&b & new wave, interspersed with his own material, 80s film soundtrack cuts and clips from classic 80s films (one also makes use of a presentation video for the Fairlight CMI). the few weeks i’ve spent living with em has further opened my eyes and ears to even more (a plethora, if u will) of 80s tunes i never knew existed (it starts with investigating one song off the tracklist on YouTube, which turns into a 4-hour sojourn of clicking the next promisingly-similar-looking “Recommended Video”). i thought it best to help share these vibes, as this shit is pretty much completing my existence right about now. yknow, in a musical way. CLICK ON THE FRONT COVER PICS FOR DIRECT DOWNLOADS OF EACH MIX VIA COM TRUISE’S OFFICIAL WEBSITE (tracklists are provided on his website & in the .zip file).
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Tags: Com Truise, KOMPUTER CAST
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29/05/12 MAXWELL // “OF ALL KIND” // blackSUMMERS’night // June 2012
Max took to twitter & facebook last week and dropped info on his upcoming single “Of All Kind”, set to be released very soon (sometime in June), with the 2nd installment of the blacksummers’night trilogy dropping soon after that (he said “this Summer”). he also provided some of the lyrics on his FB post:
OF ALL KIND
one day in and the next you’re out
there’s no way to insure that no danger
will not be found
will your angels hear the sounds
will i ever be where you are where spirits go
if my end should come i can only hope that..
there is a light and no end in sight
where god and you are combined
in the brightest light of all kind..
musze/david | Copyright © 2012. All Rights Reserved.
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Tags: blackSUMMERS'night, Maxwell, OF ALL KIND
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26/05/12 C.O.A.C.M presents…5 Questions with: JODECI BOYD
and we come to what could be my favourite interview of the lot so far (even tho it’s the shortest it’s the most serendipitous). one late night almost a month ago i got into an 90s r&b mood, which happens pretty often as that’s the shit i mostly grew up listening to. so it kinda sticks and you end up having these 2-3hrs blocks of time where it’s nothing BUT 90s jams. in the midst of that, i naturally fired up some Jodeci. and as always i went to YouTube for the quick and easy access, where i stumbled onto a random video of a cool chick singin an acoustic track, simply titled “Beautiful Company”. weird thing was it was labeled as “Jodeci” as well, which i thought was a mistake. turns out, it’s not. after fallin in love with the song, i ended up using it as the last track on the C.O.A.C.M. Vol. 1 mix (after editing and EQing it a bit). eventually i got in touch with her ppls and here we are! get to know her, folks. i’ma do all i can to promo her stuff in future so keep an eye (and both ears) out.
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1. what’s your name, where are you from & how did you get involved with music?
my name is Jodeci Boyd, i’m from Moreno Valley. i got involved in music at a young age, i’ve always loved singing & listening to music, just the different styles & genres.
2. how did your particular track in the mix come about/is there a story behind its creation?
this song was written from a personal experience of mine. one day i was just in deep thought jamming, came up with the chords & just freestyled the lyrics.
3. who or what inspires you to create? and how do you STAY inspired?
my love for music, the struggle of life, any & everything good in life will continue to keep me inspired. i just wanna keep writing & keep telling others about my stories. maybe one day i’ll touch people on a way deeper level.
4. your opinion on copyright and the sharing of music? (specifically tunes made by unsigned, under-the-radar and bedroom artists that are then shared by fans?).
i think it’s awesome. i love that it gives artists leeway, it helps get them a little fan base going . this website inspired me to start posting more, seeing that people have been downloading it gives me more confidence to post more of my music for people to listen to.
5. the best place to listen/download/buy your tunes? and any final words you’d like to say to the Internets?
honestly i’d have to go with YouTube. it’s my favorite place to look for artists & music. i’m not big on being online anymore so i haven’t really been downloading music, but when i do i get it off of YouTube.
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Jodeci‘s laid back acoustic ditty “Beautiful Company” closes out the CONFESSIONS OF A CURLY MIND Vol. 1 mix (edited & re-mastered by moi). i truly appreciate the random way in which this song dropped into my life, not to mention it also helped spark this entire idea into existence. please take the time to check both the mix and the song out. SUPPORT GOOD MUSIC. download the mix here: .zip | .rar | Soundcloud.
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Tags: beautiful company, CONFESSIONS OF A CURLY MIND Vol. 1, Jodeci Boyd
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- Posted under mpfree lanks, muzak, writings
25/05/12 D’ANGELO’s June 2012 interview with GQ + his acoustic cover of Funkadelic’s “Soul Mate” + interview OUTTAKES
[ACOUSTIC COVER OF FUNKADELIC'S "SOUL MATE"] [VIDEO]
interview by Amy Wallace | photography by Gregory Harris
what to say that hasn’t already been said? it’s simply good just to know he’s out there doing his thing. i think i enjoyed reading the outtakes much more than the central piece, mostly cos the main interview reminded me too much of the pre-album hype machine that exists behind D’Angelo. i’m not sure if HE realises it, but a lot of his angst and worry about the pitfalls of fame start within his own camp. and far more importantly, clearly the man himself couldn’t make the mental transition to handle his biz and not fall off the face of the Earth. the WORRY is that he’s still invoking the ghost of Marvin and still seeing himself as following the path of ‘died too young/died tragic phenom artist’. but most of it just sounds like regular music biz bullshit, which consists of what appears to be a very SICK evironment not conducive to free-thinking, mostly gentle souls who just wanna make the music they wanna make, and when they wanna make it. i see a lot of blame gets heaped at “Untitled”‘s door, which is complete fucking bullshit. everyone involved in the production of what sadly came to DEFINE D’s career KNEW EXACTLY WHAT THE FUCK THEY WERE DOIN.
shit was CALCULATED. that may sound like an accusation, but i’m not mad about it. i’m just not naive as hell. if D wants to TRULY regain the fans he left wandering for over a decade, dude’s gotta let go of ‘the image’ and be fucking honest about it all. this interview seemed like a good step in that direction. i wish nothing but onwards and upwards success for this man. freal.
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Tags: Amy Wallace, D'Angelo, D'Angelo June 2012 GQ Interview, Funkadelic, GQ Magazine, Gregory Harris, Michael D'Angelo Archer, Soul Mate
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- Posted under muzak, writings, youtubery
22/05/12 TOP SECRET!: Original Soundtrack (1984)
brilliant film & awesome soundtrack. i won’t try to pretend to take credit for providing this gem (it was easy enough to find via the same ol blogsearch routines). i do, however, have a penchant for trying to provide somethin that’s either unavailable elsewhere or is in need of sharing to a wider audience. and that’s where this falls. plus after posting “Spend This Night With Me” on YouTube and getting such a positive responds, i feel they should probably have a spot to download the s/track for themselves. and yes Val Kilmer did all his own singing stunts.
01. skeet surfing (2:59)
02. are you lonesome tonight? (1:37)
03. how silly can you get (2:50)
04. straighten out the rug (2:01)
05. tutti frutti (1:42)
06. spend this night with me (3:31)
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Tags: Nick Rivers, TOP SECRET!: Original Soundtrack (1984), Val Kilmer
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- Posted under moofies, mpfree lanks, muzak
19/05/12 introducing my other other other other other other other OTHER alias: MIṨTΔṾΞΞ
no longwinded words this time. just muzak. it’s all rough as guts but when ISN’T it really?
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Tags: BEYOND IMAGINATION (Demo), BEYOND IMAGINATION (Instrumental) (Demo), CAN'T GO HOME AGAIN (Demo), DARKSYDEUVLUV (feat. VEENUS MARCIULIONIS) (Demo), HUSH/SLUT, MIṨTΔṾΞΞ, mista vee, MISTAVEE, SHAKKARR (Demo) (prod. by HUSH/SLUT), THE ILLUMINED MAN (Instrumental) (Snippet)
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18/05/12 C.O.A.C.M presents…5 Questions with: JUSTIN DEREMO
1. what’s your name, where are you from & how did you get involved with music?
my name is Justin Deremo. i’m from Joplin, Missouri but grew up in different areas due to my father being in the army, so that i don’t identify my childhood with any one particular place. when i was very small there were adults around who talked about music a lot so that i always assumed it to be a big part of life; i started paying close attention to MTV and the radio around seven. when i was 12 someone gave me a guitar and i took lessons. a year or two after that one of my friends purchased a four-track and a combination delay/pitch-shifter pedal that both remained at my house for unusually long periods of time. my musical activities continue to be an extension of sitting on the floor and playing with instruments and effects.
2. how did your particular track in the mix come about/is there a story behind its creation?
i let my emotions point organically to whatever forms or concepts may develop. the Joplin tornado is the dominant thread in “Bless No Stress,” but it also associatively alludes to the Japanese tsunami and Madonna’s “La Isla Bonita.” not in a way that makes complete sense intellectually, but rather as an impressionistic ebbing and flowing, similar to a dream environment. dub is the skeletal form on which associations are hung, appropriately so since where reggae may be thought of as conscious, so dub is the subconscious – literally the flip-side in the case of vinyl.
3. who or what inspires you to create? and how do you STAY inspired?
inspiration is anything that moves me, which may come from any area: personal life, the works of others, global events, public discourse. staying inspired is not something i perceive as a problem since there are infinite varieties of experiences and ideas in the world and i do not have enough time for everything i want to do/take in as it is.
4. your opinion on copyright and the sharing of music? (specifically tunes made by unsigned, under-the-radar and bedroom artists that are then shared by fans?)
it’s an artificial situation in the past century that music has become such a controllable economic commodity via physical recordings and mass-production. art may thrive independent of economics, suggesting that its inherent value is not economic. this isn’t to suggest some over-simplified idealism or to say that culture and economics don’t overlap, only that the way things are extends from the natural dynamic of average people sharing their talents with each other and heavily-subsidized art remaining the realm of the affluent or privileged. technology has revealed the artificial nature of the 20th-century economic situation with regards to music, causing the bubble to burst.
via the internet, we have access to greater numbers and varieties of people, allowing for more opportunities to share and learn from each other, not being stuck to our villages and towns. culture is surely at a peak, even as many lament its downfall. increased interactions means greater opportunity for mutation: more muck destined for extinction, but also more opportunities for evolution.
5. the best place to listen/download/buy your tunes? and any final words you’d like to say to the Internets?
i hope you may like it or find it interesting on some level; i promise to keep making things as long as i live.
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Justin‘s (aka ajiav) track appears exclusively on CONFESSIONS OF A CURLY MIND Vol. 1, why haven’t u listened to it yet??: .zip/.rar/Soundcloud.
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Tags: ajiav, Bless No Stress, CONFESSIONS OF A CURLY MIND Vol. 1, justin deremo
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- Posted under mpfree lanks, muzak, writings
17/05/12 CHILDISH GAMBINO + FLYNT FLOSSY + YUNG HUMMA: “Fuck Your Blog”
BRILLIANT MOVE by The Jeep to branch out and guest feature on other tracks. not only do we get a mildly amusing hip hop ditty, but F Dot & Humma absolutely MURDER their verses, with Floss in particular addressing issues ppl have with Turquoise Jeep as a group, and also firmly asserting he is in fact NOT Charlie Murphy. the track is apparently an unfinished leak but is short n sweet enuf to be dope. KTJR!
:::DOWNLOAD:::
(mp3)
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Tags: charlie murphy, childish gambino, Flynt Flossy, fuck your blog, turquoise jeep records, Yung Humma
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- Posted under mpfree lanks, muzak, youtubery
16/05/12 C.O.A.C.M presents…5 Questions with: THA-D.COM
1. what’s your name, where are you from & how did you get involved with music?
my name is Dimitrios, i use Tha-D.com and D.M.T. as production handles, i’m from the South East of Melbourne, Australia and my musical journey began when i was about 11 years old and i first heard Robert Miles‘ groundbreaking single “Children”. i started by experimenting with a keyboard, creating piano riffs that all followed the same vein as Miles‘ famous track. slowly learning the foundations of sequencing through Music2000 for the PsOne, teaching myself guitar and drums along the way, i’ve found myself in every form and genre of music over the last 17 years, creating sound and score composition for film, playing guitar in metal bands, beatboxing during hip-hop workshops. music, i love it.
2. how did your particular track in the mix come about/is there a story behind its creation?
i had spent the better half of the day working on some original score for a television commercial i had produced and decided i needed a mid-afternoon break. was listening to a lot of Zapp and Quik at the time, got inspired, whipped out the axe, played a few funky licks and here we are. just a regular 30 minute lunch break.
3. who or what inspires you to create? and how do you STAY inspired?
life is the biggest inspiration. my most memorable pieces have usually come from the biggest emotional episodes thrown at me. i stay inspired by new music, new adventures, new reflections. now, more than ever, people are reaching out to me to collaborate on stuff or even just hear my personal pieces. if music is to tell my story, it’s only up to me to add to the chapters.
4. your opinion on copyright and the sharing of music? (specifically tunes made by unsigned, under-the-radar and bedroom artists that are then shared by fans?).
thanks to the digital revolution, filesharing/copyright integrity has been a massive thing since its initial conception. plenty of argument coming from either side of the fence. as an art form every artist deserves to have the right to protect their work from plagiarism and maintaining their piece’s integrity. artists spend their early days dreaming of reaching a wider audience and it’s with that in mind i maintain an open approach to file sharing. distribution of my music has never been a concern. it’s when others profit from your hard work that it takes a sour turn. i know how many Friday nights i spent sitting in the lab perfecting my craft, countless jam sessions spent in rehearsal studios refining my sound. should someone profit from my life’s work before i is the line in the sand.
5. the best place to listen/download/buy your tunes? and any final words you’d like to say to the Internets?
some of the greatest pieces of music can be heard on our street corners, in our train station underpasses, on our city streets. talk to your friends, never hesitate to ask someone what it is they’re listening to. support your favourite artists. revisit the discography of yesteryear. to quote the man who began it all for me;
“Music: Indispensable component of life. . . Recognizes no limits and no confines. . . Uniting black with white, young with old and the good with the bad”
-Robert Miles.
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Tha D‘s Troutman-inspired jam “Return To D-Funk” appears exclusively on CONFESSIONS OF A CURLY MIND Vol. 1: .zip | .rar | Soundcloud.
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Tags: CONFESSIONS OF A CURLY MIND Vol. 1, D.M.T., DJ Quik, Return To D-Funk, Robert Miles, tha-d.com, Zapp
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15/05/12 C.O.A.C.M presents…5 Questions with: LYLE HOROWITZ + MIDPOINT
1. what’s your name, where are you from & how did you get involved with music?
what’s up? my name is Lyle Horowitz. i’m from Queens, New York and i got involved with music through my first love, film production. i attempted to score a short film that i co-directed and things kinda evolved quickly from there…
2. how did your particular track in the mix come about/is there a story behind its creation?
the beat was originally created in the Nothing Says Hello Like Goodbye sessions, an album that i produced in one night and released the following day. during that time, i was working on some demos with a vocalist from Florida named Loud Pack Lucy and she heard the beat and recorded to it without hesitation. MidPoint (one half of Night Creatures, one of my side projects) offered to remix the song once the original was finished and that’s how this track came to be.
3. who or what inspires you to create? and how do you STAY inspired?
i’m just inspired by life and the pursuit of inner balance and personal growth. staying creative is never an issue, the wheels never stop turning and the well of ideas has never dried up.
4. your opinion on copyright and the sharing of music? (specifically tunes made by unsigned, under-the-radar and bedroom artists that are then shared by fans?)
i think especially for unsigned/bedroom artists, sharing is essential and actual damages are hard to quantify. then again, if you’re putting material out there for sale that is questionable to copyright laws, you have to assume the risk.
5. the best place to listen/download/buy your tunes? and any final words you’d like to say to the Internets?
the best way for you to listen to my tunes would be Bandcamp or by looking me up on YouTube. thank you for listening, i hope the music speaks for itself.
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1. what’s your name, where are you from & how did you get involved with music?
my name is MidPoint, though many know me as Staxwell. i am from the Bay Area and currently living in San Francisco, CA. music was always a centerpiece to my life, though i got into production in high school. i play drums and was in a few bands growing up, but a bassist i played with had turntables he wasn’t using so eventually i bought them off him and figured out how to record into my computer without an interface. i’ve just been building ever since. i also DJ.
2. how did your particular track in the mix come about/is there a story behind its creation?
Lyle Horowitz released a beat tape called Nothing Says Hello Like Goodbye and after hearing the Blue Lights instrumental, i hit up Lyle almost immediately about doing a remix. i have a string of remixes of Lyle’s work, so this was the next one on deck as far as i was concerned. Lyle told me he was already releasing a version of the track with Loud Pack Lucy and having a remix would be perfect for the single release. Lyle then sent me the sample (“143″ by Musiq) and i went from there.
3. who or what inspires you to create? and how do you STAY inspired?
that is hard to say specifically. i am not one to really create stuff that doesn’t reflect who i am or how i feel, so i would say the greatest inspiration is just life in general. i try not to force anything so keeping the music honest is the best way to keep myself inspired.
4. your opinion on copyright and the sharing of music? (specifically tunes made by unsigned, under-the-radar and
bedroom artists that are then shared by fans?).
giving back to the artist is always nice but artists making music to get paid aren’t doing it for the right reasons. in today’s climate it is much more viable to maintain an income with performances and such. that being said it’s great that artists can still make money. i am definitely not mad at anyone doing their thing, i just am not a fan of hearing artists complain about it. steal my music, share it with your friends.
5. the best place to listen/download/buy your tunes? and any final words you’d like to say to the Internets?
Bandcamp will have all available releases, however, catch me on Twitter.
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Lyle & MP’s joint (one of my personal favs) “Blue Lights” is featured among many awesome tunes selected by yours truly for a mix that promises, and delivers, eargasms. checkout CONFESSIONS OF A CURLY MIND Vol. 1 via .zip, .rar or Soundcloud.
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Tags: CONFESSIONS OF A CURLY MIND Vol. 1, loud pack lucy, lyle horowitz, MidPoint
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- Posted under mpfree lanks, muzak, writings
12/05/12 JOSS WHEDON thanks fans, considers Jai Alai “Air Bud” reboot & teaches you the correct way to poo
grr, argh.
if ur a Whedon fan, u should know what those two words represent and where u first heard the words uttered while a paper cut-out demon hopped across your screen. it should be etched into your memory as the moment Joss Whedon entered your pop cultural universe, planted his lawnchair and proceeded to build the nerd babylon we refer to as “The WHEDONverse”. you know you’ve made an impact when your name is associated with an entire UNIVERSE, even moreso when they start teaching courses at Universities on TV shows you’ve created. there have been many achievements to already elevate Joss into “god” status when it came to quality TV, film, comics, writing, directing, characterisation, tones of storytelling that frequently oscillate from every human emotion possible and countless mental/emotional/spiritual (one could argue)/COMEDIC punches to the fucking GUTS. but none of it ever seemed ENOUGH, nahmean?
i’m sure every Whedonite has gone through that almost alienated feeling when you’re completely head-over-heels for something he created, but somehow can never properly channel that love into coherent words when time came to attempt to explain it to someone you knew. but at the same time it’s a very KNOWING alienation, that even though your friends choose not to care, there IS a huge fanbase out there and they’re just as apeshit about the man’s work as you are. it’s that resolve (and the unending stream of classic material from Joss and his many minions) that’s solidified and exponentially grown his fanbase into what i will call “The Powderkeg Event” that is THE AVENGERS film, more specifically how awesomely awesome the fucking awesome thing is, and how awesomely it is DOMINATING in almost every corner of the globe right now. not to mention the crazy-ass box office returns (i think it’s already at 1.6 BILLION and counting?). at this point i have to check n make sure we ain’t in the bizarro version of life where talented individuals get rewarded in the end, VINDICATED even. but we kinda are. the epic legacy of Joss “Dance Of Joy” Whedon is, over the coming months and years, gonna be on full display for nerds like us to cheer on with immense glee, or for relative newbies to catch up on.
as a sign of that slowly but surely changing tide, the man himself wrote a congratulatory note to his fanboys and fangirls directly on his longtime fansite Whedonesque, touching on various issues in true Whedon fashion. there’s also a link to him teaching a guy how to poo at the very start of the article, make sure u catch that part lol.
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from Whedonesque:
The Purple. IN WHICH the guy who comes before “Esque” shares his deep depth, and then links you to a vid of him as a poop coach.
“YeahbuhWHUH?”
–Kitty Pryde
Dear Friends,
Well, it’s been quite a weekend. Someday, long from now, I will even have an emotional reaction to it, like a person would. I can’t wait! But before I become blinded by this “emotion” experience, there’s a few things I’d like to say. Well, type.
People have told me that this matters, that my life is about to change. I am sure that is true. And change is good — change is exciting. I think — not to jinx it — that I may finally be recognized at Comiccon. Imagine! Also, with my percentage of “the Avengers” gross, I can afford to buy… [gets call from agent. Weeps manfully. Resumes typing.] …a fine meal. But REALLY fine, with truffles and s#!+. And I can get a studio to finance my dream project, the reboot of “Air Bud” that we all feel is so long overdue. (He could play Jai Alai! Think of the emotional ramifications of JAI ALAI!!!!)
What doesn’t change is anything that matters. What doesn’t change is that I’ve had the smartest, most loyal, most passionate, most articulate group of — I’m not even gonna say fans. I’m going with “peeps” — that any cult oddity such as my bad self could have dreamt of. When almost no one was watching, when people probably should have STOPPED watching, I’ve had three constants: my family and friends, my collaborators (often the same), and y’all. A lot of stories have come out about my “dark years”, and how I’m “unrecognized”… I love these stories, because they make me seem super-important, but I have never felt the darkness (and I’m ALL about my darkness) that they described. Because I have so much. I have people, in my life, on this site, in places I’ve yet to discover, that always made me feel the truth of success: an artist and an audience communicating. Communicating to the point of collaborating. I’ve thought, “maybe I’m over; maybe I’ve said my piece”. But never with fear. Never with rancor. Because of y’all. Because you knew me when. If you think topping a box office record compares with someone telling you your work helped them through a rough time, you’re probably new here. (For the record, and despite my inhuman distance from the joy-joy of it: topping a box office record is super-dope. I’m an alien, not a robot.) So this is me, saying thank you. All of you. You’ve taken as much guff for loving my work as I have for over-writing it, and you deserve, in this our time of streaming into the main, to crow. To glow. To crow and go “I told you so”, to those Joe Blows not in the know. (LAST time I hire Dr. Seuss to punch my posts up. Yeesh!) Point being, you deserve some honor, AND you deserves some FAQs answered. So please welcome my old friend and certainly not-on-my-payroll reporter/flunky, Rutherford D. Actualperson!
RDA: So good to see you, young Joss! is it possible you’ve gotten more attractive since we last spoke, and less fungal in odor?
JW: Thanks for noticing. Let’s talk.
RDA: “the Scavengers” is a huge success! Does this mean you have changed the very fabric of existence?
JW: Dude, it’s just a movie. Also, yes.
RDA: I’ve seen a lot of a talk about “the Availers” vs “the Dark Knight Rises”. How will you feel if you’re eclipsed by Nolan?
JW: I’m glad I made you ask that. I will feel sad. But let’s look at the bigger picture, and I can’t say this enough: THIS IS NOT A ZERO SUM GAME. Our successes, whoever has the mostest, are a boon to each other. We’re in the business of proving that superhero movies aren’t just eye-candy (they’re eye-TRUFFLES!). People seem intent on setting us against each other, and though I’m proud to be Woody Strode to Nolan’s Kirk Douglas, I think they’re missing the point. Whatever TDKR does on its first weekend, the only stat that matters to me is the ticket I’M definitely buying. Nolan and Raimi INVENTED the true superhero flick, yo. (Special mention to Jon Favreau and James Gunn.) Happy to be in the mix.
RDA: What does this mean for your upcoming slate of tiny independent films/Internet shenanigans? Will they fall by the wayside?
JW: There may be new ideas realized — I always leave myself open to that — but my commitment to Wastelanders and Dr H.2 does not waver. Those stories bubble on my stove.
RDA: And TV?
JW: TV is my great love. To tell stories with that alacrity, intensity, and immediacy… Nothing quite like it. I imagine it’s not dissimilar to the feeling great poker players have: “Here’s what I got, here’s where I’m going… How to trick everybody into thinking I know what I’m doing?” [Full disclosure : Joss hates poker. He is probably talking about bridge. But it should apply nonetheless.].
RDA: What message would you give fans of “the Lavenders” who are not so familiar with your previous work?
JW: “Cabin In the Woods”: still in (some) theaters!
RDA: Is ‘the Ravengers” a perfect movie? It did get an A+ cinemascore…
JW: There are very few perfect movies. “The Court Jester”, “One Flew Over the Cuckoo’s Nest”, “Godfather” I & II… The list does not go on and on. “The Avengers” is notably IMperfect, which makes its success mean so much more to me — because it’s striking a chord that matters MORE than its obvious flaws. Like the team, it appears to be more than the sun of its parts. Boo-yah!
RDA: What do you feel is the greatest achievement of “the Avoiders”?
JW: Getting “mewling quim” out there to the masses. Also, Hulk.
RDA: Anyone in particular you’d like to thank?
JW: [Reads from notecard]. I couldn’t have done this myself. Part of this Saturn Award belongs to Jeremy Latcham, Kevin Feige, and the fine Marvel folk… But the secret ingredient is my closest peeps: J-Mo, who did uncredited punch-up work (carrier battle, yo!), Z-bro, Drew “I am Loki only taller and foppier” Goddard, and Kai, all of whom worked the story with me. Without them (and Jeremy), I’d still be figuring out how the Wasp fits in to this, and where to put Red Hulk.
RDA: What’s next for Joss “finally got it right for a change” Whedon?
JW: Can we not call me that?
RDA: Just deal. Whut up?
JW: I really think we should discuss that nickname, but I’m finishing “Much Ado About Nothing” this month. If you liked “the Avengers”, you’ll love… I can’t. It’s Shakespeare. And not in the park. I hope it gets watched.
RDA: Any message to your precious “Whedonesk?”
JW: Whedonettes?
RDA: Weeble-eque?
JW: I’m not aware of that group.
RDA: Didn’t they know you when?
JW: I’m not sure who you mean. I’m discarding my old fans so I can concentrate on fame, Euro-trash guy-jewelry and my precious “Air Bud” reboot. But, dude, don’t print that!
RDA: You have my word.
So, that’s our post! Hope you enjoyed it. Hope you’ll continue to carry the banner even though other people may have joined the parade. (Kind of a gay pride/Newsies vibe: sentence accomplished!) Hope you understand how I feel. Cliff notes: grateful.
“Here’s to us. Who’s like us? Damn few”
– Stephen Sondheim, “Merrily We Roll Along”.
“It took a dog playing Jai Alai to teach us humanity!”
–Me, in that awesome film I’m gonna make.
-j., 5/9/12
[ edited by joss on 2012-05-09 15:26 ]
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V.
Tags: Air Bud, jai alai, Joss Whedon, Numfar, The Avengers
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